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Home > Women in Film Noir > Chapter 7.  Klute 2: Feminism and Klute
Women in Film Noir |
E. Ann Kaplan
British Film Institute
Women in Film Noir
Chapter 7.  Klute 2: Feminism and Klute
Authors

Christine Gledhill

ARI Id

1674355628452_9156314

Access

Open/Free Access

Pages

99–114

Chapter URL

https://www.bloomsburycollections.com/book/women-in-film-noir/ch7-klute-2-feminism-and-klute

Table of Contents of Book
Showing 1 to 20 of 22 entries
Chapters/HeadingsAuthor(s)PagesInfo
Front matter
Acknowledgments
vii
Notes on Contributors
viii–ix
Introduction to New Edition
Full Text Access; E Kaplan
1–14
Introduction to 1978 Edition
Full Text Access; E Kaplan
15–19
Chapter 1.  Klute 1: A Contemporary Film Noir and Feminist Criticism
Christine Gledhill
20–34
Chapter 2.  Woman’s Place: The Absent Family of Film Noir
Sylvia Harvey
35–46
Chapter 3.  Women in Film Noir
Janey Place
47–68
Chapter 4.  Duplicity in Mildred Pierce
Pam Cook
69–80
Chapter 5.  The Place of Women in Fritz Lang’s The Blue Gardenia
E Kaplan
81–88
Chapter 6.  Double Indemnity
Claire Johnston
89–98
Chapter 7.  Klute 2: Feminism and Klute
Christine Gledhill
99–114
Chapter 8.  Resistance Through Charisma: Rita Hayworth and Gilda
Richard Dyer
115–122
Chapter 9.  Postscript: Queers and Women in Film Noir
Richard Dyer
123–129
Chapter 10.  Female Spectator, Lesbian Spectre: The Haunting
Patricia White
130–150
Chapter 11.  Femme Fatale or Lesbian Femme: Bound in Sexual Différance
Chris Straayer
151–163
Chapter 12.  The Postmodern Always Rings Twice: Constructing the Femme Fatale in 90s Cinema
Kate Stables
164–182
Chapter 13.  ‘The Dark Continent of Film Noir’: Race, Displacement and Metaphor in Tourneur’s Cat People (1942) and Welles’ The Lady from Shanghai (1948)
E Kaplan
183–201
Chapter 14.  ‘Gilda Didn’t Do Any of Those Things You’ve Been Losing Sleep Over!’: The Central Women of 40s Films Noirs
Angela Martin
202–228
Back matter
Chapters/HeadingsAuthor(s)PagesInfo
Showing 1 to 20 of 22 entries
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