Chapter: Part 2. On Forge. Anthony Forge and Alfred Bühler: From Field Collecting to Friendship

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Home > Style and meaning: essays on the anthropology of art / > Part 2. On Forge. Anthony Forge and Alfred Bühler: From Field Collecting to Friendship

Style and meaning: essays on the anthropology of art / |

Forge, Anthony,; Clark, Alison,; Thomas, Nicholas,

Sidestone Press

Style and meaning: essays on the anthropology of art /

Part 2. On Forge. Anthony Forge and Alfred Bühler: From Field Collecting to Friendship

Chapter Info

Authors

Christian Kaufmann

ARI Id

1674416991102_49898996

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Chapters/Headings	Author(s)	Pages	Info
Part 1. Anthony Forge on art, 1960-1990. Introduction to Primitive Art and Society
Three Kamanggabi Figures from the Arambak People of the Sepik District New Guinea
Notes on Eastern Abelam Designs Painted on Paper, New Guinea
Paint: A Magical Substance
Art and Environment in the Sepik
The Abelam Artist
Style and Meaning in Sepik Art
The Problem of Meaning in Art
Learning to See in New Guinea
The Power of Culture and the Culture of Power
Draft Introduction to Sepik Culture History, the Proceedings from the second Wenner-Gren conference on Sepik Culture History 1986, Mijas, Spain
Part 2. On Forge. Anthony Forge and Alfred Bühler: From Field Collecting to Friendship	Christian Kaufmann
Style and Meaning: Abelam Art through Yolngu Eyes	Howard Morphy
Anthony Forge and Innovation: Perspectives from Vanuatu	Lissant Bolton
The problem of agency in art	Ludovic Coupaye
Looking back: Abelam art and some of Forge's theses from a 2015 perspective	Brigitta Hauser-Schäublin
Communicating with Anthony Forge	Michael O'Hanlon.
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