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Home > Printing Colour 1400-1700: History, Techniques, Functions and Receptions > Colour Printing in Intaglio before c. 1700: A Technical History
Printing Colour 1400-1700: History, Techniques, Functions and Receptions |
Ad Stijnman; Elizabeth Savage (Volume Editors)
Brill
Printing Colour 1400-1700: History, Techniques, Functions and Receptions
Colour Printing in Intaglio before c. 1700: A Technical History
Authors

Ad Stijnman

ARI Id

1674442342750_9391110

Access

Not Available Free

Pages

42–47

Chapter URL

https://brill.com/display/book/9789004290112/B9789004290112-s005.xml

Table of Contents of Book
Showing 1 to 20 of 26 entries
Chapters/HeadingsAuthor(s)PagesInfo
Preliminary Material
Ad Stijnman; Elizabeth Savage
i–xxx
Introduction: A Historical Overview of Printed Colour before 1700
Ad Stijnman; Elizabeth Savage
1–7
Materials and Techniques for Early Colour Printing
Ad Stijnman; Elizabeth Savage
9–22
Colour Printing in Relief before c. 1700: A Technical History
Elizabeth Savage
23–41
Colour Printing in Intaglio before c. 1700: A Technical History
Ad Stijnman
42–47
Colour Stamping in the Late Fifteenth and Sixteenth Centuries: Technical Sources and Workshop Practice
Doris Oltrogge
49–64
The Fust and Schöffer Office and the Printing of the Two-Colour Initials in the 1457 Mainz Psalter
Mayumi Ikeda
65–75
Colour-Printed Pasteprints, 1460s–1480s
Andreas Uhr
76–81
The Birgittines of The Netherlands: Experimental Printers and Colourists
Kathryn M. Rudy
82–90
A Printer’s Art: The Development and Influence of Colour Printmaking in the German Lands, c. 1476–c. 1600
Elizabeth Savage
91–102
Hans Wechtlin and the Production of German Colour Woodcuts
Alice Klein
103–115
Ugo da Carpi’s Diogenes
Naoko Takahatake
116–122
The Chiaroscuro Woodcut Printmaking of Ugo da Carpi, Antonio da Trento and Niccolò Vicentino: Technique in Relation to Artistic Style
Linda Stiber Morenus
123–139
A Technical Study of Sixteenth-Century Italian Chiaroscuro Woodcuts
Beth A. Price; Nancy Ash; Haddon A. Dine; Shelley R. Langdale; Ken Sutherland; Lucia Burgio; Jo-Fan Huang
140–150
‘Divine, August and Immortal’: The Potentials and Limitations of Colour Printing in the Low Countries, c. 1555
Edward H. Wouk
151–160
Hendrick Goltzius’s Chiaroscuro Woodcuts Revisited
Marjolein Leesberg
161–170
Dürer in Chiaroscuro: Early Modern Graphic Aesthetics and the Posthumous Production of Colour Prints
Anja Grebe
171–179
The ‘Camaïeu’ Print in Seventeenth-Century Paris: On the Origins of Multi-tonal Printmaking in France
Alexander Dencher
180–186
On Hercules Segers’s ‘Printed Paintings’
Jun Nakamura
187–195
Opus typo-chromaticum: The Colour Prints of Johannes Teyler
Simon Turner
196–206
Chapters/HeadingsAuthor(s)PagesInfo
Showing 1 to 20 of 26 entries
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