Chapter: Turning the Machine into a Slovenly Machine: Donna Summer, Giorgio Moroder, and “I Feel Love”

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Home > Off Beat: Pluralizing Rhythm > Turning the Machine into a Slovenly Machine: Donna Summer, Giorgio Moroder, and “I Feel Love”

Off Beat: Pluralizing Rhythm |

Jan Hein Hoogstad; Birgitte Stougaard Pedersen (Volume Editors)

Brill

Turning the Machine into a Slovenly Machine: Donna Summer, Giorgio Moroder, and “I Feel Love”

Chapter Info

Authors

Tilman Baumgärtel

ARI Id

1674442540206_9510193

Access

Not Available Free

Pages

43–53

Chapter URL

https://brill.com/display/book/9789401208871/B9789401208871-s004.xml

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Chapters/Headings	Author(s)	Pages	Info
Preliminary material	Editors Off Beat	1–9
Introduction	Jan Hein Hoogstad; Birgitte Stougaard Pedersen	11–26
¿Y Tú, Qué Has Hecho De Mis Ritmos? The Buena Vista Social Club and the Repeating Island	Timothy Yaczo	27–42
Turning the Machine into a Slovenly Machine: Donna Summer, Giorgio Moroder, and “I Feel Love”	Tilman Baumgärtel	43–53
Aesthetic Potentials of Rhythm in Hip Hop Music and Culture: Rhythmic Conventions, Skills, and Everyday Life	Birgitte Stougaard Pedersen	55–70
Overcome the Pain: Rhythmic Transgression in Heavy Metal Music	Dietmar Elflein	71–88
Kairos, the Rhythm of Timing	Marie Gelang	89–101
Rhythm and Balance in Sculpture and Poetry	Lena Hopsch; Eva Lilja	103–122
Subversive Rhythms: Postcolonial Prosody and Indo-Anglian Poetry	Peter Groves	123–134
AlgoRHYTHMS Everywhere: A Heuristic Approach to Everyday Technologies	Shintaro Miyazaki	135–148
Invisibility’s Beat: Ralph Ellison, Rhythm, and Cinema’s Blind Field	Jodi Brooks	149–168
The Good Foot: James Brown’s Revolutionary Rhythmic Interventions	Jan Hein Hoogstad	169–196
Contributors	Editors Off Beat	197–198
Index	Editors Off Beat	199–204
Chapters/Headings	Author(s)	Pages	Info

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