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Home > Metareference across Media: Theory and Case Studies: Dedicated to Walter Bernhart on the Occasion of his Retirement > When Metadrama Is Turned into Metafilm A Media-Comparative Approach to Metareference
Metareference across Media: Theory and Case Studies: Dedicated to Walter Bernhart on the Occasion of his Retirement |
Werner Wolf; Katharina Bantleon; Jeff Thoss (Volume Editors)
Brill
Metareference across Media: Theory and Case Studies: Dedicated to Walter Bernhart on the Occasion of his Retirement
When Metadrama Is Turned into Metafilm A Media-Comparative Approach to Metareference
Authors

Janine Hauthal

ARI Id

1674442669622_9588885

Access

Not Available Free

Pages

567–589

Chapter URL

https://brill.com/display/book/9789042026711/B9789042026711-s023.xml

Table of Contents of Book
Showing 1 to 20 of 27 entries
Chapters/HeadingsAuthor(s)PagesInfo
Preliminary Material
Werner Wolf; Katharina Bantleon; Jeff Thoss
a–vii
Metareference across Media: The Concept, its Transmedial Potentials and Problems, Main Forms and Functions
Werner Wolf
ix–85
Metareference from a Semiotic Perspective
Winfried Nöth
87–120
The Case is ‘this’: Metareference in Magritte and Ashbery
Andreas Mahler
121–134
Beyond ‘Metanarration’: Form-Based Metareference as a Transgeneric and Transmedial Phenomenon
Irina O. Rajewsky
135–168
Metalepsis and Its (Anti-)Illusionist Effects in the Arts, Media and Role-Playing Games
Sonja Klimek
169–187
Generic Titles: On Paratextual Metareference in Music
Hermann Danuser
189–210
“Music about Music”: Metaization and Intertextuality in Beethoven’s Prometheus Variations op. 35
Tobias Janz
211–233
Exploring Metareference in Instrumental Music – The Case of Robert Schumann
René Michaelsen
235–257
Phantasmic Metareference: The Pastiche ‘Operas’ in Lloyd Webber’s The Phantom of the Opera
David Francis Urrows
259–277
Intramedial Reference and Metareference in Contemporary Music
Jörg-Peter Mittmann
279–297
“Please Play This Song on the Radio”: Forms and Functions of Metareference in Popular Music
Martin Butler
299–316
“L’architecture n’est pas un art rigoureux”: Jean Nouvel, Postmodernism and Meta-Architecture
Henry Keazor
317–353
Of Museums, Beholders, Artworks and Photography: Metareferential Elements in Thomas Struth’s Photographic Projects Museum Photographs and Making Time
Katharina Bantleon; Jasmin Haselsteiner-Scharner
355–387
The Gradable Effects of Self-Reflexivity on Aesthetic Illusion in Cinema
Jean-Marc Limoges
389–407
Novel in/and Film: Transgeneric and Transmedial Metareference in Stranger than Fiction
Barbara Pfeifer
409–423
Narrative Fiction and the Fascination with the New Media Gramophone, Photography and Film Metafictional and Media-Comparative Aspects of H. G. Wells’ A Modern Utopia and Beryl Bainbridge’s Master Georgie
Hans Ulrich Seeber
425–449
Metareference and Intermedial Reference: William Carlos Williams’ Poetological Poems
Daniella Jancsó
451–465
Metareferentiality in Early Dance: The Jacobean Antimasque
Ingrid Pfandl-Buchegger; Gudrun Rottensteiner
467–498
Textworlds and Metareference in Comics
Karin Kukkonen
499–513
Chapters/HeadingsAuthor(s)PagesInfo
Showing 1 to 20 of 27 entries
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