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Home > Historical painting techniques, materials, and studio practice: preprints of a symposium held at the University of Leiden, the Netherlands, 26-29 June, 1995 / > Andrea Mantegna's Adoration of the Magi
Historical painting techniques, materials, and studio practice: preprints of a symposium held at the University of Leiden, the Netherlands, 26-29 June, 1995 / |
Wallert, Arie,; Hermens, Erma,; Peek, Marja,
Getty Conservation Institute,
Historical painting techniques, materials, and studio practice: preprints of a symposium held at the University of Leiden, the Netherlands, 26-29 June, 1995 /
Andrea Mantegna's Adoration of the Magi
Authors

Andrea Rothe

ARI Id

1675044146376_51626992

Access

Not Available Free

Table of Contents of Book
Showing 1 to 20 of 27 entries
Chapters/HeadingsAuthor(s)PagesInfo
Beyond a Collection of Data: What We Can Learn from Documentary Sources on Artists' Materials and Techniques
Leslie A. Carlyle
An Integrated Approach for the Study of Painting Techniques
Sylvana Barrett and Dusan C. Stulik
Varnish, Grounds, Viewing Distance, and Lighting: Some Notes on Seventeenth-Century Italian Painting Technique
Helen Glanville
From Books of Secrets to Encyclopedias: Painting Techniques in France between 1600 and 1800
Ann Massing
The Roberson Archive: Content and Significance
Sally A. Woodcock
Libro Secondo de Diversi Colori e Sise da Mettere a Oro: A Fifteenth-Century Technical Treatise on Manuscript Illumination
Arie Wallert
A Seventeenth-Century Italian Treatise on Miniature Painting and Its Author(s)
Erma Hermens
Questions about Medieval Gesso Grounds
Beate Federspiel
Aspects of Painting Technique in the Use of Verdigris and Copper Resinate
Renate Woudhuysen-Keller
Connections and Coincidences: Three Pigments
Josephine A. Darrah
An Investigation of Palette and Color Notations Used to Create a Set of Tibetan Thangkas
Kate I. Duffy and Jacki A. Elgar
New Evidence for the Medieval Production of Icons in the Nile Valley
Zuzana Skalova
Techniques of the Romanesque and Gothic Wall Paintings in the Holy Sepulchre Chapel, Winchester Cathedral
Helen C. Howard
The Polychromy of Exeter and Salisbury Cathedrals: A Preliminary Comparison
Eddie Sinclair
Andrea Mantegna's Adoration of the Magi
Andrea Rothe
Technical Examinations of Titian's Venus and Adonis: A Note on Early Italian Oil Painting Technique
Ulrich Birkmaier, Arie Wallert and Andrea Rothe
Gerard David's St. Anne Altarpiece: Evidence for Workshop Participation
Catherine A. Metzger and Barbara H. Berrie
Maarten van Heemskerck and Jan van Scorel's Haarlem Workshop
Molly Faries, Christa Steinbuchel and J. R. J. van Asperen de Boer
Style and Technique in Dutch Landscape Painting in the 1620s
E. Melanie Gifford
Johannes Vermeer (1632-1675) and His Use of Perspective
Jorgen Wadum
Chapters/HeadingsAuthor(s)PagesInfo
Showing 1 to 20 of 27 entries
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