Chapter: Between Melodrama and Realism: Anthony Asquith's Underground and King Vidor's The Crowd

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Home > Classical Hollywood narrative: the paradigm wars / > Between Melodrama and Realism: Anthony Asquith's Underground and King Vidor's The Crowd

Classical Hollywood narrative: the paradigm wars / |

Gaines, Jane,

Duke University Press,

Classical Hollywood narrative: the paradigm wars /

Between Melodrama and Realism: Anthony Asquith's Underground and King Vidor's The Crowd

Chapter Info

Authors

Christine Gledhill

ARI Id

1675064631215_51680049

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Open/Free Access

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Chapters/Headings	Author(s)	Pages	Info
Introduction: The Family Melodrama of Classical Narrative Cinema	Jane M. Gaines
Dickens, Griffith, and Film Theory Today	Rick Altman
Form Wars: The Political Unconscious of Formalist Theory	Bill Nichols
Film Response from Eye to I: The Kuleshov Experiment	Norman N. Holland
Securing the Fictional Narrative as a Tale of the Historical Real: The Return of Martin Guerre	Janet Staiger
Between Melodrama and Realism: Anthony Asquith's Underground and King Vidor's The Crowd	Christine Gledhill
The Hieroglyph and the Whore: D. W. Griffith's Intolerance	Miriam Hansen
The She-Man: Postmodern Bi-Sexed Performance in Film and Video	Chris Straayer
Dead Ringer: Jacqueline Onassis and the Look-Alike	Jane Gaines
Nostalgia for the Present	Fredric Jameson
Reading Dynasty: Television and Reception Theory	Jane Feuer
Dialogues of the Living Dead	John O. Thompson
Image/Machine/Image: On the Use and Abuse of Marx and Metaphor in Television Theory	Richard Dienst.
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