Chapter: The Art-Science of Music after Two Millennia

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Home > Concert music, rock, and jazz since 1945: essays and analytical studies / > The Art-Science of Music after Two Millennia

Concert music, rock, and jazz since 1945: essays and analytical studies / |

Marvin, Elizabeth West,; Hermann, Richard,

University of Rochester Press,

Concert music, rock, and jazz since 1945: essays and analytical studies /

The Art-Science of Music after Two Millennia

Chapter Info

Authors

Robert Cogan

ARI Id

1675079914316_51718151

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Open/Free Access

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Chapters/Headings	Author(s)	Pages	Info
Introduction	Elizabeth West Marvin and Richard Hermann
Beyond Unity: Toward an Understanding of Musical Postmodernism	Jonathan D. Kramer
The Art-Science of Music after Two Millennia	Robert Cogan
Aspects of Confluence between Western Art Music and Ethnomusicology	Robert D. Morris
Twelve-Tone Composition and the Music of Elliott Carter	Andrew Mead
An Analysis of Polyrhythm in Selected Improvised Jazz Solos	Cynthia Folio
A Generalization of Contour Theory to Diverse Musical Spaces: Analytical Applications to the Music of Dallapiccola and Stockhausen	Elizabeth West Marvin
The Beatles as Composers: The Genesis of Abbey Road, Side Two	Walter Everett
Structural Factors in the Microcanonic Compositions of Gyorgy Ligeti	Jane Piper Clendinning
Theory, Analysis, and the "Problem" of Minimal Music	Jonathan W. Bernard
The Question of Climax in Ruth Crawford's String Quartet, Mvt. 3	Ellie M. Hisama
Does the Song Remain the Same? Questions of Authorship and Identification in the Music of Led Zeppelin	Dave Headlam
Theories of Chordal Shape, Aspects of Linguistics, and their Roles in Structuring Berio's Sequenza IV for Piano	Richard Hermann
Stylistic Competencies, Musical Satire, and "This is Spinal Tap"	John Covach
Music Theory and the Postmodern Muse: An Afterword	Nicholas Cook.
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