Chapter: Pity and Terror as Public Acts: Reading Feminist Politics in the Plays of Maria Irene Fornes

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Home > Staging resistance: essays on political theater / > Pity and Terror as Public Acts: Reading Feminist Politics in the Plays of Maria Irene Fornes

Staging resistance: essays on political theater / |

Colleran, Jeanne M.; Spencer, Jenny S.

University of Michigan Press,

Staging resistance: essays on political theater /

Pity and Terror as Public Acts: Reading Feminist Politics in the Plays of Maria Irene Fornes

Chapter Info

Authors

Josephine Lee

ARI Id

1675264605334_52167348

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Chapters/Headings	Author(s)	Pages	Info
Irish Theater Historiography and Political Resistance	Lionel Pilkington
Beyond the Cold War: Bread and Puppet Theater and the New World Order	John Bell
Flexing Images, Changing Visions: The Twin Poles of Contemporary French Political Theater	Lisa Jo Epstein
Working Out (of) Place: Peter Brook's Mahabharata and the Problematics of Intercultural Performance	Una Chaudhuri
Some Thoughts on Uprooting Asian Grassroots Theater	Eugene van Erven
Re-Staging Resistance, Re-Viewing Women: 1990s Productions of Fugard's Hello and Goodbye and Boesman and Lena	Marcia Blumberg
A Feminist Boomerang: Eve Merriam's The Club (1976)	Tracy C. Davis
Pity and Terror as Public Acts: Reading Feminist Politics in the Plays of Maria Irene Fornes	Josephine Lee
Chained to the Bed: Violence and Abortion in Keely and Du	Linda Kintz
What Is "Left to a Woman of the House" When the Irish Situation Is Staged?	Esther Beth Sullivan
Playing the Fault Lines: Two Political Theater Interventions in the Australian Bicentenary Year 1988	Tom Burvill
Personalizing the Political in The Noam Chomsky Lectures	Elaine Brousseau
Body Parts: Between Story and Spectacle in Venus by Suzan-Lori Parks	Harry J. Elam, Jr. and Alice Rayner
Notes for a Radical Democratic Theater: Productive Crises and the Challenge of Indeterminacy	Janelle Reinelt.
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