Chapter: Pastoral transformations in 1920s British cinema

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Home > Picture perfect: landscape, place and travel in British cinema before 1930 / > Pastoral transformations in 1920s British cinema

Picture perfect: landscape, place and travel in British cinema before 1930 / |

Porter, Laraine.; Dixon, Bryony.

Exeter Press,

Picture perfect: landscape, place and travel in British cinema before 1930 /

Pastoral transformations in 1920s British cinema

Chapter Info

Authors

Christine Gledhill

ARI Id

1675679046872_53232684

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Not Available Free

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Chapters/Headings	Author(s)	Pages	Info
Introduction	Alan Burton and Laraine Porter
Location, location, location: the Sixth British Silent Cinema weekend	Bryony Dixon
On location in Edwardian Britain: urban and rural violence	Tony Fletcher
The marketing of landscapes in silent British cinema	Paul Moody
Narrative and pictorialism in post-pioneer Hepworth films	Simon Brown
Pastoral transformations in 1920s British cinema	Christine Gledhill
'The plucky girl' and the 'pigeon to pluck': characters, locations and entertainment forms in Rogues of London	Judith Cowan
Trainers and temptresses: the British racing drama	Judith McLaren
The first cameraman in Iceland: travel film and travel literature	Ivo Blom
The Anglo-Boer War in north London: a micro-study	Ian Christie
'Everyone's doing the Riviera' because 'It's so much nicer in Nice'	Amy Sargeant
The city of the future	Patrick Keiller
Cooperation and the contestation of public space	Alan Burton
Billy Merson's monologue: blighted my life	Michael Eaton.
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