"Caroline Joan S. Picart" appeared in Books and Chapters

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Book	Author(s)	Year	Publisher
From Ballroom to DanceSport: Aesthetics, Athletics, and Body Culture	Caroline Joan S. Picart	2006	State University of New York Press
Remaking the Frankenstein Myth on Film: Between Laughter and Horror	Caroline Joan S. Picart	2003	State University of New York Press
Critical Race Theory and Copyright in American Dance: Whiteness as Status Property	Caroline Joan S. Picart	2013	Palgrave Macmillan US
Thomas Mann and Friedrich Nietzsche: Eroticism, Death, Music, and Laughter	Caroline Joan (Kay) S. Picart	1999-01-01	Brill
Speaking of Monsters: A Teratological Anthology	Caroline Joan S. Picart; John Edgar Browning	2012	Palgrave Macmillan US
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Chapter	Author(s)	Book	Book Authors	Year	Publisher
Introduction: Preliminary Remarks	Caroline Joan S. Picart	Critical Race Theory and Copyright in American Dance: Whiteness as Status Property	Caroline Joan S. Picart	2013	Palgrave Macmillan US
Comparing Aesthetics of Whiteness and Nonwhiteness in Relation to American Dance	Caroline Joan S. Picart	Critical Race Theory and Copyright in American Dance: Whiteness as Status Property	Caroline Joan S. Picart	2013	Palgrave Macmillan US
Loíe Fuller, “Goddess of Light” and Josephine Baker, “Black Venus”: Non-narrative Choreography as Mere “Spectacle”	Caroline Joan S. Picart	Critical Race Theory and Copyright in American Dance: Whiteness as Status Property	Caroline Joan S. Picart	2013	Palgrave Macmillan US
George Balanchine, “Genius of American Dance”: Whiteness, Choreography, Copyrightability in American Dance	Caroline Joan S. Picart	Critical Race Theory and Copyright in American Dance: Whiteness as Status Property	Caroline Joan S. Picart	2013	Palgrave Macmillan US
Martha Graham, “Picasso of American Dance, ” and Katherine Dunham, “Matriarch of Black Dance”: Exoticism and Nonwhiteness in American Dance	Caroline Joan S. Picart	Critical Race Theory and Copyright in American Dance: Whiteness as Status Property	Caroline Joan S. Picart	2013	Palgrave Macmillan US
Moving into New Directions: Cunningham and Ailey	Caroline Joan S. Picart	Critical Race Theory and Copyright in American Dance: Whiteness as Status Property	Caroline Joan S. Picart	2013	Palgrave Macmillan US
Conclusions: Quo Vadis?	Caroline Joan S. Picart	Critical Race Theory and Copyright in American Dance: Whiteness as Status Property	Caroline Joan S. Picart	2013	Palgrave Macmillan US
The Documentary Impulse and Reel/Real Horror	Caroline Joan S. Picart	A Companion to the Horror Film	Harry M. Benshoff	2014	John Wiley & Sons
6. Inside Notes from the Outside: The Politics of Gender, Race, Myth, Language and Spatiality in bell hooks and Margaret Fuller	Caroline Joan S. Picart	Rending and renewing the social order /	Hudson, Yeager,	[1996], ©1996.	Edwin Mellen Press,
Preliminary Material	Caroline Joan (“Kay”) S. Picart	Thomas Mann and Friedrich Nietzsche: Eroticism, Death, Music, and Laughter	Caroline Joan (Kay) S. Picart	1999-01-01	Brill
Acknowledgments	Caroline Joan (“Kay”) S. Picart	Thomas Mann and Friedrich Nietzsche: Eroticism, Death, Music, and Laughter	Caroline Joan (Kay) S. Picart	1999-01-01	Brill
One Dürer’s Magic Square	Caroline Joan (“Kay”) S. Picart	Thomas Mann and Friedrich Nietzsche: Eroticism, Death, Music, and Laughter	Caroline Joan (Kay) S. Picart	1999-01-01	Brill
Two The Aging Artist	Caroline Joan (“Kay”) S. Picart	Thomas Mann and Friedrich Nietzsche: Eroticism, Death, Music, and Laughter	Caroline Joan (Kay) S. Picart	1999-01-01	Brill
Three Eternal Recurrence	Caroline Joan (“Kay”) S. Picart	Thomas Mann and Friedrich Nietzsche: Eroticism, Death, Music, and Laughter	Caroline Joan (Kay) S. Picart	1999-01-01	Brill
Four Confessions	Caroline Joan (“Kay”) S. Picart	Thomas Mann and Friedrich Nietzsche: Eroticism, Death, Music, and Laughter	Caroline Joan (Kay) S. Picart	1999-01-01	Brill
Five Apprenticeship and Projection: Mann as a Reader of Nietzsche	Caroline Joan (“Kay”) S. Picart	Thomas Mann and Friedrich Nietzsche: Eroticism, Death, Music, and Laughter	Caroline Joan (Kay) S. Picart	1999-01-01	Brill
Notes	Caroline Joan (“Kay”) S. Picart	Thomas Mann and Friedrich Nietzsche: Eroticism, Death, Music, and Laughter	Caroline Joan (Kay) S. Picart	1999-01-01	Brill
Bibliography	Caroline Joan (“Kay”) S. Picart	Thomas Mann and Friedrich Nietzsche: Eroticism, Death, Music, and Laughter	Caroline Joan (Kay) S. Picart	1999-01-01	Brill
About the Author	Caroline Joan (“Kay”) S. Picart	Thomas Mann and Friedrich Nietzsche: Eroticism, Death, Music, and Laughter	Caroline Joan (Kay) S. Picart	1999-01-01	Brill
Index	Caroline Joan (“Kay”) S. Picart	Thomas Mann and Friedrich Nietzsche: Eroticism, Death, Music, and Laughter	Caroline Joan (Kay) S. Picart	1999-01-01	Brill
Chapter	Author(s)	Book	Book Authors	Year	Publisher

Showing 1 to 20 of 37 entries