"Goetschius, Percy," appeared in Books and Chapters

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Book	Author(s)	Year	Publisher
Counterpoint applied in the invention, fugue, canon and other polyphonic forms; an exhaustive treatise on the structural and formal details of the polyphonic or contrapuntal forms of music, for the use of general and special students of music	Percy Goetschius	©1902	G. Schirmer
The homophonic forms of musical composition, an exhaustive treatise on the structure and development of musical forms. .	Percy Goetschius	1926	G. Schirmer
The theory and practice of tone-relations; an elementary course of harmony, with emphasis upon the element of melody	Percy Goetschius	1972	Greenwood Press
Counterpoint applied in the invention, fugue, canon and other polyphonic forms: an exhaustive treatise on the structural and formal details of the polyphonic or contrapuntal forms of music, for the use of general and special students of music	Percy Goetschius	©1930	G. Schirmer
Lessons in music form; a manual of analysis of all the structural factors and designs employed in musical composition	Percy Goetschius	©1904	Oliver Ditson company; C.H. Ditson & Co.; [etc., etc]
The material used in musical composition: a system of harmony designed originally for use in the English harmony classes of the conservatory of music at Stuttgart	Percy Goetschius	1913	G. Schirmer, Inc.
The larger forms of musical composition: an exhaustive explanation of the variations, rondos, and sonata designs, for the general student of musical analysis, and for the special student of structural composition	Percy Goetschius	1915	G. Schirmer
The larger forms of musical composition: an exhaustive explanation of the variations, rondos, and sonata designs, for the general student of musical analysis, and for the special student of structural composition	Percy Goetschius	1915	G. Schirmer
The theory and practice of tone-relations; an elementary course of harmony with emphasis upon the element of melody	Percy Goetschius	1917	G. Schirmer
Exercises in elementary counterpoint	Percy Goetschius	1910	G. Schirmer
Models of the principal musical forms: extract from lectures upon the "evolution of musical forms" delivered	Percy Goetschius	1895	New England Conservatory
Counterpoint applied in the invention, fugue, canon and other polyphonic forms: an exhaustive treatise on the structural and formal details of the polyphonic or contrapuntal forms of music, for the use of general and special students of music	Percy Goetschius	1930	G. Schirmer
Lessons in Music Form: A Manual of Analysis of All the Structural Factors. . .	Percy Goetschius	1904	C.H. Ditson & co.; [etc., etc,]
homophonic forms of musical composition: an exhaustive treatise on the structure and development of musical forms. . .	Percy Goetschius	1918	G. Schirmer
The theory and practice of tone-relations: a condensed course of harmony conducted upon a contrapuntal basis	Percy Goetschius	1900	G. Schirmer
Exercises in Elementary Counterpoint	Percy Goetschius	1910	G. Schirmer
The material used in musical composition: a system of harmony designed and adopted for use in the English harmony classes of the Conservatory of Music in Stuttgart	Percy Goetschius	1977	G. Schirmer
The homophonic forms of musical composition: an exhaustive treatise on the structure and development of musical forms. . .	Percy Goetschius	1898	G. Schirmer
Models of the principal musical forms: extract from lectures upon the "evolution of musical forms"	Percy Goetschius	1895	New England Conservatory
Exercises in melody-writing: a systematic course of melodic composition designed for the use of young music students,chiefly as a course of exercise collateral with the study of harmony	Percy Goetschius	1923	G. Schirmer, Inc.
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