"Robert S. Hatten" appeared in Books and Chapters

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Book	Author(s)	Year	Publisher
Interpreting Musical Gestures, Topics, and Tropes: Mozart, Beethoven, Schubert	Robert S. Hatten	2017	Indiana University Press
A Theory of Virtual Agency for Western Art Music	Robert S. Hatten	2018	Indiana University Press
Musical meaning in Beethoven: markedness, correlation, and interpretation /	Hatten, Robert S.	©1994.	Indiana University Press,
Interpreting musical gestures, topics, and tropes: Mozart, Beethoven, Schubert /	Hatten, Robert S.	[2004], ©2004.	Indiana University Press,
Musical Forces: Motion, Metaphor, and Meaning in Music	Steve Larson. Foreword by Robert S. Hatten	2012	Indiana University Press
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Chapter	Author(s)	Book	Book Authors	Year	Publisher
Explaining Style Growth and Change: A Richer Semiotic Model	Robert S. Hatten	Semiotics 1980	Michael Herzfeld; Margot D. Lenhart	1982	Springer US
Thematische Gesten bei Schubert: Die Klaviersonaten in A-Dur, D 959 und a-Moll, D 784	Robert S. Hatten	Musik und Geste: Theorien, Ansätze, Perspektiven	Christian Grüny; Katrin Eggers (Editors)	2018-06-08	Brill
Fundamental concepts for the semiotic interpretation of musical meaning	Robert S. Hatten	The Routledge Handbook of Music Signification	Esti Sheinberg; William P. Dougherty	2020	Routledge
A Case Study for Interpretation	Robert S. Hatten	Beethoven	Michael Spitzer	2015	Routledge
On Metaphor and Syntactic troping in Music 1	Robert S. Hatten	Music Semiotics: A Network of Significations: In Honour and Memory of Raymond Monelle	Esti Sheinberg	2012	Routledge
A Theory of Musical Gesture and its Application to Beethoven and Schubert	Robert S. Hatten	Music and Gesture	Anthony Gritten; Elaine King	2016	Routledge
The expressive role of disjunction: a semiotic approach to form and meaning in the Fourth and Fifth Symphonies	Robert S. Hatten	Perspectives on Anton Bruckner	Crawford Howie; Paul Hawkshaw; Timothy Jackson	2001	Routledge
Schubert’s Pastoral: The Piano Sonata in G Major, D894	Robert S. Hatten	Schubert the Progressive: History, Performance Practice, Analysis	Brian Newbould	2003	Routledge
Metaphor in music	Robert S. Hatten	Musical Signification: Essays in the Semiotic Theory and Analysis of Music	Eero Tarasti	1995	De Gruyter Mouton
Music and tense	Robert S. Hatten	Semiotics around the World: Synthesis in Diversity: Proceedings of the Fifth Congress of the International Association for Semiotic Studies, Berkeley 1994	Irmengard Rauch; Gerald F. Carr	1996	De Gruyter Mouton
FOREWORD	Robert S. Hatten	The Sense of Music: Semiotic Essays	Raymond Monelle; Robert Hatten	2001	Princeton University Press
Melodic Forces and Agential Energies: An Integrative Approach to the Analysis and Expressive Interpretation of Tonal Melodies	Robert S. Hatten	Music, Analysis, Experience: New Perspectives in Musical Semiotics	Costantino Maeder, Mark Reybrouck (eds)	2015	Leuven University Press
5 - Schubert's alchemy: transformative surfaces, transfiguring depths	Robert S. Hatten	Schubert's Late Music: History, Theory, Style	Lorraine Byrne Bodley; Julian Horton	2016-04	Cambridge University Press
9 - Enlarging the musical discourse:	Robert S. Hatten	Mozart's Chamber Music with Keyboard	Martin Harlow	2012-04	Cambridge University Press
A Peircean Perspective on the Growth of Markedness and Musical Meaning	Robert S. Hatten.	Peirce and value theory: on Peircian ethics and aesthetics /	Parret, Herman.	[1994], ©1994.	J. Benjamins,
Markedness and a theory of musical gesture	Robert S. Hatten	Le sens langagier du musical: sémiosis et hermenéia: actes du 1er symposium d'Aix-en-Provence	Bernard Vecchione	2009	Harmattan
Penderecki's operas in the context of twentieth-century opera	Robert S. Hatten	Krzysztof Penderecki's music in the context of the 20th-century theatre: studies, essays and materials /	Małecka, Teresa,	1999.	Akademia Muzyczna,
Thematic gestures, topics, and tropes: grounding expressive interpretation in Schubert	Robert S. Hatten	Musical semiotics revisited /	Tarasti, Eero.; Forsell, Paul.; Littlefield, Richard.	2003.	International Semiotics Institute,
4. The troping of temporality in music	Robert S. Hatten	Approaches to meaning in music /	Almén, Byron,; Pearsall, Edward,	c2006.	Indiana University Press,
9. Values and Personal Categories. 1. Sound and Sensuality. 2. Encounters. 3. Rehabilitating the Subject. Afterword	Robert S. Hatten	The sonic self: musical subjectivity and signification /	Cumming, Naomi.	[2000], ©2000.	Indiana University Press,
Chapter	Author(s)	Book	Book Authors	Year	Publisher

Showing 1 to 20 of 24 entries