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Emmeline: "The child was a girl"(1: 52)
Scene 4 :Emmeline
Emmeline /
Picker, Tobias,
;
Rossner, Judith.
;
McClatchy, J. D.,
;
Racette, Patricia,
;
Peterson, Curt.
;
Ledbetter, Victor.
;
Owens, Anne-Marie.
;
Langan, Kevin.
;
Gayer, Josepha.
;
Sarakatsannis, Melanie.
;
Perry, Herbert.
;
Moore, Wright.
;
Bradley, Michelle.
;
Keil, Gregory.
;
Kania, Mary Jane.
;
Manahan, George.
℗1998.
Albany Recordings,
Emmeline: "I've never seen my face before"(3: 36
Scene 4 :Maguire : "So you found the library"(4:06) /Scene 5 :Emmeline
Emmeline /
Picker, Tobias,
;
Rossner, Judith.
;
McClatchy, J. D.,
;
Racette, Patricia,
;
Peterson, Curt.
;
Ledbetter, Victor.
;
Owens, Anne-Marie.
;
Langan, Kevin.
;
Gayer, Josepha.
;
Sarakatsannis, Melanie.
;
Perry, Herbert.
;
Moore, Wright.
;
Bradley, Michelle.
;
Keil, Gregory.
;
Kania, Mary Jane.
;
Manahan, George.
℗1998.
Albany Recordings,
Funeral procession(1: 20)
Scene 5 :Women : "Sinner! Abomination! Whore!"(4:02)
Emmeline /
Picker, Tobias,
;
Rossner, Judith.
;
McClatchy, J. D.,
;
Racette, Patricia,
;
Peterson, Curt.
;
Ledbetter, Victor.
;
Owens, Anne-Marie.
;
Langan, Kevin.
;
Gayer, Josepha.
;
Sarakatsannis, Melanie.
;
Perry, Herbert.
;
Moore, Wright.
;
Bradley, Michelle.
;
Keil, Gregory.
;
Kania, Mary Jane.
;
Manahan, George.
℗1998.
Albany Recordings,
Letter Aria: "Dearest mother and father"(4: 23)
Scene 6 :Maguire : "Like a wood in Ireland this is"(4:11)
Emmeline /
Picker, Tobias,
;
Rossner, Judith.
;
McClatchy, J. D.,
;
Racette, Patricia,
;
Peterson, Curt.
;
Ledbetter, Victor.
;
Owens, Anne-Marie.
;
Langan, Kevin.
;
Gayer, Josepha.
;
Sarakatsannis, Melanie.
;
Perry, Herbert.
;
Moore, Wright.
;
Bradley, Michelle.
;
Keil, Gregory.
;
Kania, Mary Jane.
;
Manahan, George.
℗1998.
Albany Recordings,
Die Fledermaus. Klänge der Heimat
Johann Strauss (4:30).CD 5. Capriccio. Final scene. Moonlight music (3:06)
Gundula Janowitz, the golden voice.
Janowitz, Gundula.
;
Mozart, Wolfgang Amadeus,
;
Mozart, Wolfgang Amadeus,
;
Mozart, Wolfgang Amadeus,
;
Mozart, Wolfgang Amadeus,
;
Mozart, Wolfgang Amadeus,
;
Mozart, Wolfgang Amadeus,
;
Mozart, Wolfgang Amadeus,
;
Mozart, Wolfgang Amadeus,
;
Mozart, Wolfgang Amadeus,
;
Telemann, Georg Philipp,
;
Handel, George Frideric,
;
Handel, George Frideric,
;
Handel, George Frideric,
;
Handel, George Frideric,
;
Bach, Johann Sebastian,
;
Bach, Johann Sebastian,
;
Beethoven, Ludwig van,
;
Beethoven, Ludwig van,
;
Beethoven, Ludwig van,
;
Brahms, Johannes,
;
Weber, Carl Maria von,
;
Weber, Carl Maria von,
;
Weber, Carl Maria von,
;
Weber, Carl Maria von,
;
Wagner, Richard,
;
Wagner, Richard,
;
Wagner, Richard,
;
Wagner, Richard,
;
Wagner, Richard,
;
Lortzing, Albert,
;
Lortzing, Albert,
;
Strauss, Johann,
;
Strauss, Richard,
;
Strauss, Richard,
;
Orff, Carl,
;
Orff, Carl,
;
Mozart, Wolfgang Amadeus,
;
Mozart, Wolfgang Amadeus,
Fedora. Amor ti vieta
Giordano (Giuseppe di Stefano) (1:31).Eugene Onegin. Tatiana's letter scene (exc.) / Tchaikovsky (Galina Vishnevskaya) (4:27)
Opera obsession!: Opera d'oro's greatest hits.
[2006]
Opera d'Oro,
Twelfth night: O mistress mine, act 2, scene 3 (voice and piano)
Mr. Addison
;
Catch
;
hold thy peace
;
i prithee hold thy peace (vocal trio)
;
Which is the properest day to drink! (4 voices
;
piano) / Dr. Arne
;
Come away death
;
act 2
;
scene 4
;
act 4
;
scene 3 / Dr. Arne
;
Epilogue song (voice
;
piano)
A collection of the vocal music in Shakespear's plays: including the whole of the songs, duetts, glees, choruses, &c. : engraved from original ms. & early printed copies, chiefly from the collection of W. Kitchiner, esqr. M. D.
William Kitchiner
;
John Addison
;
Samuel James Arnold
;
John Caulfield
;
William Shakespeare
;
John Caulfield
Moment Exotique
Wladimir Horowitz (c.1920).Record XII: Ein Heldenleben (A Hero's life): Love scene. Feuersnot: Love scene. Reverie, op. 9, no. 4. Intermezzo, op. 9, no. 3 / Richard Strauss (1906)
Great composers/pianists perform their own compositions
Albert, Eugen d',
;
Bartók, Béla,
;
Busoni, Ferruccio,
;
Carreño, Teresa,
;
Casella, Alfredo,
;
Debussy, Claude,
;
Dohnányi, Ernő,
;
Falla, Manuel de,
;
Fauré, Gabriel,
;
Gabrilowitsch, Ossip,
;
Ganz, Rudolph,
;
Glazunov, Aleksandr Konstantinovich,
;
Granados, Enrique,
;
Grieg, Edvard,
;
Grünfeld, Alfred.
;
Horowitz, Vladimir,
;
Humperdinck, Engelbert,
;
Leoncavallo, Ruggiero,
;
Leschetizky, Theodor,
;
Mahler, Gustav,
;
Marshall, Frank,
;
Pachmann, Vladimir de,
;
Paderewski, Ignace Jan,
;
Ravel, Maurice,
;
Reger, Max,
;
Respighi, Ottorino,
;
Saint-Saëns, Camille,
;
Sauer, Emil von,
;
Scharwenka, Xaver,
;
Scott, Cyril,
;
Scriabin, Aleksandr Nikolayevich,
;
Strauss, Richard,
[1972]
Recorded Treasures, Inc.,
Twelfth night: O mistress mine, act 2, scene 3 (voice and piano)
composed
;
arranged Mr. Addison
;
Catch (3 voices)
;
Which is the properest day to drink? : Catch (4 voices
;
piano
;
voice
;
piano) / composed Dr. Arne
;
arranged Mr. Addison
;
Come away death
;
act 2
;
scene 4 (voice
;
piano) / composed Dr. Arne
;
arranged Mr. Addison
;
Act 4
;
scene 3 (voice
;
piano)
;
Epilogue song (voice
;
piano)
[A collection of the vocal music in Shakespear's plays]
William Kitchiner
;
John Addison
;
Samuel James Arnold
;
John Caulfield
;
William Shakespeare
;
John Caulfield
Les vilains: farce rustique en trois saisons
d'André Gille d'après Ruzzante avec la collaboration d'Alfred Mortier
;
mise en scène de Jacques Echantillon
;
... reprise au Théâtre de l'Atelier le 4 décembre 1972
Les Vilains
André Gille
1973
"L'Avant-scène"
Pauvre B. !
interpreté par Idwig Stéphane
;
... texte etabli par Patrick Roegiers d'après Charles Baudelaire
;
mise en scène Patrick Roegiers
;
... représentations au Théâtre Gerard Philipe du 16 janvier au 4 mars 1979
Pauvre B. . . !
Patrick Roegiers
1979
L'Avant-scène
Introduction
Robert Stam.4.The Specificity of Media in the Arts /Noel Carroll.5.For a Semio-Pragmatics of Film /Roger Odin.6.The Scene of the Screen: Envisioning Cinematic and Electronic "Presence" /Vivian Sobchack
Film and theory: An anthology /
Miller, Toby.
2000.
Blackwell Publishers,
8. The adventures of Robin Hood (excerpts)
Erich Wolfgang KorngoldCD 4.Max Steiner's classic film score.Gone with the wind /Max SteinerCD 5.The classic film scores of Alfred Newman.1.How to marry a millionaire.20th Century Fox fanfare with the CinemaScope extension and Street scene
Charles Gerhardt conducts classic film scores.
Gerhardt, Charles,
;
Korngold, Erich Wolfgang,
;
Tiomkin, Dimitri,
;
Steiner, Max,
;
Steiner, Max,
;
Friedhofer, Hugo.
;
Newman, Alfred,
;
Hollaender, Friedrich.
;
Young, Victor,
;
Rózsa, Miklós,
;
Herrmann, Bernard,
;
Waxman, Franz,
Herrlichste Maid!
Wagner (Nordica, Seygard, Van Cauteren, Homer, Schumann-Heink, Bauermeister, Marilly, Bridewell, Maurer, Gadski, Bispham, Hertz, 2/21/03).Die Götterdämmerung. Immolation scene (in 3 pts.) / Wagner (Nordica, Hertz, 2/28/03).Ero e Leandro. Cade una stella / Mancinelli (Gadski, Mancinelli, 3/4 or 3/14/03).
Mapleson cylinders.
Mapleson, Lionel S.
;
Meyerbeer, Giacomo,
;
Wagner, Richard,
;
Meyerbeer, Giacomo,
;
Puccini, Giacomo,
;
Mancinelli, Luigi,
;
Verdi, Giuseppe,
;
Donizetti, Gaetano,
;
Massenet, Jules,
;
Mascagni, Pietro,
;
Gounod, Charles,
Finale: Come è bello
Puccini (Eames, De Marchi, Scotti, Bars, Bégué, Mancinelli, 1/3/03).Siegfried. Finale excerpts / Wagner (Nordica, Anthes, Hertz, 1/19/03).Die Götterdämmerung. Immolation scene / Wagner (Nordica, Hertz, 1/23/03).Les Hueguenots. Act III duet (in 4 pts.) / Meyerbeer (Gadski, E. De Reszke, Flon, 1/24/03).La fille du régiment. A cet aveu
Mapleson cylinders.
Mapleson, Lionel S.
;
Meyerbeer, Giacomo,
;
Wagner, Richard,
;
Meyerbeer, Giacomo,
;
Puccini, Giacomo,
;
Mancinelli, Luigi,
;
Verdi, Giuseppe,
;
Donizetti, Gaetano,
;
Massenet, Jules,
;
Mascagni, Pietro,
;
Gounod, Charles,
Contents: Voiliers au soleil couchant - Citronniers au cannet
Pierre Bonnard - Le bel ete - Le cirque - La course de Taureau - Scene de rue - Caprice: vue de Paris / Jean Dufy - Joseph Conrad - Enver - Anita - La belle juive - Third portrait of Kathleen- Betty Peters study - Roses - Yehudi Menuhin - Baby's arms / Jacob Epstein - Slim forms / Barbara Hepworth - Standing figure no. 4 - Seated figure
;
shell skirt - Object: bird form / Henry Moore.
Impressionist and modern paintings, drawings and sculpture. . . : which will be sold on Wednesday November 4, 1981 at 2. 00 p. m. precisely.
Christie, Manson & Woods
Pt. I. Current Dilemmas: Psychoanalysis and Postcolonialism. 1. Human Diversity and the Sexual Relation
Charles Shepherdson.2.Geopsychoanalysis: "... and the rest of the world" /Jacques Derrida.3."Thus Spake the Subaltern": Postcolonial Criticism and the Scene of Desire /Amit S. Rai.4.Uncanny Foreigners: Does the Subaltern Speak Through Julia Kristeva? /James Penney.5.A Question of Accent: Ethnicity and Transference /Suzanne Yang.6.Love Thy Neighbor? No, Thanks! /Slavoj Zizek.7.Schizoanalysis of Race /Alphonso Lingis
The psychoanalysis of race /
Lane, Christopher,
[1998], ©1998.
Columbia University Press,
Pt. 1. Public Opinion and Political Parties. 2. Where Is Germany Heading? A Public Opinion Perspective, 1990-1998
Dieter Roth and Andreas M. Wust.3.The CDU/CSU: Undercurrents in an Ebb Tide /Clay Clemens.4.The SPD: Between Political Drift and Direction /Andrew B. Denison.5.Alliance 90/The Greens: Party of Ecological and Social Reform /E. Gene Frankland.6.The FDP: Do the Liberals Still Matter? /Christoph Hanterman and Christian Soe.7.The PDS: Between Socialism and Regionalism /Gerald R. Kleinfeld.8.The Right-Wing Scene: A Danger to Democracy? /Gerard Braunthal
Between Bonn and Berlin: German politics adrift? /
Hampton, Mary N.
;
Søe, Christian.
[1999], ©1999.
Rowman & Littlefield,
Pt. 2. Approaches. Hearing the Poetry
George T. Wright.Dancing the Meter /Ellen J. O'Brien."The Play's the Thing": Constructing the Text of Hamlet /T. H. Howard-Hill.An Editing Exercise for Students /Randall Anderson.Teaching with a Variorum Edition /Frank Nicholas Clary.Teaching Hamlet through Translation /Jesus Tronch-Perez.Exploring Hamlet: Opening Play Texts, Closing Performances /Edward L. Rocklin.To Challenge Ghostly Fathers: Teaching Hamlet and Its Interpretations through Film and Video /Stephen M. Buhler.Critical Practice through Performance: The Nunnery and Play Scenes /Mary Judith Dunbar.Teaching the Script: The "Mousetrap" in the Classroom /Michael W. Shurgot.Hamlet's Narratives /Arthur F. Kinney.From Story to Action: A Graduated Exercise to Teach Hamlet /Nina daVinci Nichols.A World of Questions: An Approach Indebted to Maynard Mack /Robert H. Ray."That Monster Custom": Highlighting the Theme of Obedience in Hamlet /Joan Hutton Landis.Teaching Hamlet as a Play about Family /Bruce W. Young.Ten Questions Basic to Interpreting Hamlet, with Special Focus on the Ghost /Roy Battenhouse.The "Encrusted" Hamlet: Resetting the "Mousetrap" /Graham Bradshaw.Teaching Hamlet in a Global Literature Survey: Linking Elizabethan England and Ming China /Paula S. Berggren.Hamlet in a Western Civilization Course: Connections to Montaigne's Essays and Cervantes's Don Quixote /Ann W. Engar.The Pyrrhus Speech: Querying the Uses of the Troy Story /Lisa Hopkins.From Elsinore to Mangalore and Back: Hamlet between Worlds /Ralph Nazareth.The Gertrude Barometer: Teaching Shakespeare with Freud, Eliot, and Lacan /Julia Reinhard Lupton."She Chanted Snatches of Old Tunes": Ophelia's Songs in a Polyphonic Hamlet /Nona Paula Fienberg.Decentering Hamlet: Questions and Perspectives Concerning Evidence and Proof /Terry Reilly.More than Child's Play: Approaching Hamlet through Comic Books /Marion D. Perret.Hamlet and Sylvia, Shakespeare and Bambara: Reading Hamlet as Context /Mary S. Comfort.Act 1, Scene 3: An Introduction to Hamlet /Michael J. Collins.Act 2, Scene 1, 75-120: Psychoanalytic Approaches /H. R. Coursen.The Closet-Scene Access /Maurice Charney.Language, Structure, and Ideology: Act 4, Scene 5 /John Drakakis.The Fencing Scene /Laurie E. Maguire.Shaping Our Ends: A Workshop on the Last Scene /Arthur Kincaid.The Prince of Punk in the Festive Classroom /James R. Andreas, Sr.An Interdisciplinary Approach to Hamlet in a Distance-Learning Classroom /Anthony DiMatteo.E-Mail to Facilitate Discussion /Eric Sterling.Hamlet Refracted through Three Definitions of Tragedy /David G. Hale.Francis Bacon's "Of Revenge" /Margaret Maurer.Introducing Students to Effective Refutation /Joanne E. Gates.Believing and Doubting Ideas about Hamlet /Meta Plotnik.Students as Characters, Speaking in Character /Christine Mack Gordon.Two Ways to Use Film for Student Writing /Rob Kirkpatrick.Hamlet Is Not Mad /D. Buchanan.Defamiliarizing Hamlet: Hamlet with and without His Soliloquies /Barbara Hodgdon.Helping Chinese Students Study Hamlet /Luo Zhiye.Oral Reports on Criticism /Edna Zwick Boris.Teaching Text and Performance through Soundscripting /Michael W. Young.More Matter (but Not Necessarily Less Art): Using My Coloring Book to Introduce Seventh Graders to Hamlet /Denise M. Mullins.Priming Questions for the "Mousetrap" /Bente Videbaek.Puns and Wordplay in Hamlet /Paul J. Voss.Leaping into the Text: Teaching State Directions in Act 5, Scene 1 /Hardin L. Aasand.Groups Debating Issues /David George.Existential Questions /Alan R. Young.Writing to Make Personal Connections /Mike Sirofchuck.Words, Words, Words: Comparing, Cutting, Explaining /Nathaniel Strout.Hamlet and Subjectivity /Dympna Callaghan
Approaches to teaching Shakespeare's Hamlet /
Kliman, Bernice W.
2001.
Modern Language Association of America,
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